No cold! Boomshakalaka! It's also so stylish, roomy, has a thousand pockets (goodbye purse!), and looks different from all ...
Films like “Blue Velvet” and “Mulholland Drive” aren’t always easy to explain, but they live on in your mind and burrow under your skin. By Esther Zuckerman David Lynch, whose death ...
As a runner, I’ve dealt with my fair share of foot-related injuries over the years, such as the persistent pain of plantar fasciitis. The dull ache along the bottom of your foot can pose a ...
Then he topped himself, and every other filmmaker of the time, with the film-noir-gone-mad genius of “Blue Velvet” (1986). Then came the dread-drenched soap opera of “Twin Peaks” (kicking ...
He was also an abstract painter, photographer and sculptor whose prints and constructions echoed the underlying discomfort that was constant in “Mulholland Drive” and “Blue Velvet.” ...
This article originally appeared in the January 1985 issue of Esquire. To read every Esquire story ever published, upgrade to All Access. “Cartoon number three,” Lynch says to the Reader ...
Lynch made his mark as a screenwriter and director of surrealist media, often probing the disturbing undertones of everyday life, particularly in suburban or small-town America. A man of unique ...
David Lynch, the American filmmaker, writer and artist who scored best director Oscar nominations for Blue Velvet, The Elephant Man and Mulholland Drive and co-created the groundbreaking TV ...
Director-writer David Lynch, who radicalized American film with with a dark, surrealistic artistic vision in films like “Blue Velvet” and “Mulholland Drive” and network television with ...
With such hallucinogenic masterworks as 'Eraserhead,' 'Blue Velvet,' 'Mulholland Drive,' 'Twin Peaks' and 'The Elephant Man,' he often left more questions than answers. By Stephen Galloway David ...
just thinking this is unlike anything I’ve ever heard before.” Quite how Gray feels about being a sort of Velvet Underground for po-faced men hunched over acoustic guitars is a matter for ...
One of the most memorable images of David Lynch is not from a film set but from the corner of Hollywood Boulevard and La Brea, sitting in a director’s chair with a magnificent black-and-white ...